|
|
In the Blithedale
 Romance,
Nathaniel Hawthorne, still a Romantic skeptic after his stay at the communal
Brook Farm, wrote his gentle social satire of the New England
Transcendentalists. In Neon Nirvana Jim Stallings similarly applies the
techniques of literary fiction, the well-told story and social satire to
transport the reader into a uniquely realized, creative journey inside our
New Age, while also weaving that mythopoetic experience into the larger
social tapestry of contemporary America. The mystery of past life regression
reveals a curious bond between a psychic artist and a burned out Hollywood
screenwriter during a long hot Texas summer. |
|
